[ If pressed, Maelle isn't sure she could explain exactly what had driven her to draw her painted twin. Most of the time had been spent in restless vigil, pacing the front room, sitting and hugging her knees, standing and staring out the window at the streets she'd someday die so she could see them today. And at some point, in the midst of all the worry and sadness and uncertainty, she'd found herself thinking about Alicia. ...Not so strange, given-...everything. But it'd been her conversation with Verso about Alicia, after their visit to the Reacher, that had echoed in her mind. Though Maelle still knows she'd been abiding by the other girl's wishes, she also knows that how it'd happened had left a wound in Verso that nothing could heal.
I should have thought of you, she'd said. Maybe she could at least provide some relief for that pain now, however minute.
As she retreats, Maelle detects the sounds of his reaction, though they're dulled by the walls and door that stand between them. She slows to a stop at the end of the little hallway, staring into middle distance with her ears perked up and her heart again drumming maddeningly in her ears. Part of her still expects that'll be it, and he'll go on as he has been to this point (locked in his room without saying a word). Part of her thinks instead there's a chance he'll emerge and look at her the way he had after she'd erased Alicia: an expression that is seared into her mind.
Neither of those things happen. She hears his response and her expression softens: pained, but...relieved, in a way. ]
You meant everything to her. [ Maelle replies simply, turning again to the door. Verso may have known Alicia better, but the youngest Dessendre still knows her mirror well enough.
Not for the first time, Maelle feels a twinge of jealousy. She would, without hesitation, take on the physical tolls of the fire if it meant her brother could live, and that she could have had more time with him. Decades spent together, as the Alicia and Verso of the Canvas had had.
At his self-condemnation, she sighs softly, dropping her gaze. ]
Making mistakes or selfish choices just means you're human. [ She states. ] Do you think Alicia would want you to punish yourself forever?
[ What had he done that couldn't be forgiven? That couldn't be undone, in this new world? And she thinks: it must be exhausting to put yourself on trial every day for so long, to pass down judgment with the only available sentence being an eternity of guilt and self-loathing. ]
[No, I didn't, is the response that immediately comes to mind. Not in the end, anyway, not when she could barely stand to look at him, not when she pursued death without taking a moment to say goodbye. That's a false argument, though, a poorly applied salve that his subconscious slapped into place as if anything could heal the perpetual wounds inflicted by the truth of what Maelle says. Because while he doesn't have the capacity to believe that he meant everything to Alicia – even if she'd said it to him herself, he might still have doubts – he still understands that it's not possible to hurt someone as badly as he'd hurt her without first having meant something significant to them. And that's the real problem, the reality a large part of him wants to argue away.
But he has already done Alicia enough disservices, so he holds himself back from objecting to the wrong thing.]
It doesn't matter. I never put her first.
[It's lost on him how he's not exactly putting Maelle first now, either. He still wants to force her out, still wants to abandon her to her life in Paris, still wants to whisper the same kinds of fantasy into her ear that she whispers into his own as if there's enough of a difference between that and what she's doing to him to make it objectively justifiable.
Does he think that Alicia would want this for him, though? At this point, he honestly doesn't know. Despair hangs so think all about him that he feels like the only way he can atone is to either extinguish his own existence or else slowly drown himself in remorse. What right does he have to life in the city she had wanted to save but will never get to experience? How can he be expected to live with himself, even for a moment, when his actions had contributed her shift from an empowered girl willing to fight for a different future to one who had given up on living at all?
All he's done is devastate the people he loves the most.]
[ Her inclination is to argue on Alicia's behalf, but that feels presumptuous in a way that she won't risk right now. ...Even so, the things she leaves unsaid are words from a younger sister to an older brother with a love that is both shared with Alicia and wholly separate: I know you feel that way, but it isn't true. It's impossible to think that Verso had never put her first. Maybe his mission and despair had given him tunnel vision for some of those long years, but could anyone (but Verso himself) fault him for that? Family is complicated. Maelle herself has abandoned her own remaining sibling to stay in the Canvas, and though she has her own share of regrets...for that, and other things, she won't belabor them. ]
She knew what you might choose. Said that she was at peace whatever happened. [ Unseen, Maelle's expression softens. ] And she was, at the end. The letter was her goodbye.
[ How would things have gone if he'd given it to her before they'd forced Aline from the Canvas? What if Alicia herself had made that choice and told them the truth? ...No, she wouldn't have done that to Verso. But what would have become of them all -- the painted Dessendres included -- if the man who held their fate in his hands had chosen another path?
It's not the first time she's mulled it over. But...well, there isn't a point, is there? They'd all made their respective choices. No what-ifs would make a difference now. ]
She wanted peace for you. [ Maelle reminds him. And maybe he still believes the only way he'll ever achieve that is through oblivion, but she thinks -- knows -- otherwise. Maybe Alicia had the same hope for her big brother: a new life, a real one, all for himself. Built on the hopes of all his sisters. ]
[All the parts of Verso that might have received Maelle's insistences in earnest are locked up and hidden away; all he can see, all he can think about, all he can claim as the truth is how he'd lost Alicia in silence and in distance. How her declaration of her desire to die was the first time he'd heard her voice in decades, and how now it's all he's going to hear when he tries to bring its sound to mind. Everything he thinks about her – every way she occupies his heart and his mind and his soul – is painful now, so bloody painful that nothing compares.
It's been nearly seventy years since he'd sat down and dealt with any of what he was feeling, any of what he'd done, and he can't escape it at all. He only knows how to double down, to grasp white-knuckled onto the blade he keeps stabbing into his own heart, as if him bleeding himself out could possibly help anything or anyone.]
She was hurt.
[No matter what she said. Maybe it wasn't his ignoring of the letter that did it. Maybe it was killing their father. Maybe it was leaving her alone with her grief and her confusion while he sat in Lumiere and moped until Maelle swooped in to drag him away. Maybe it was how he never apologised for anything, never acknowledged anything, didn't even say anything to her besides "Your letter," despite having volumes worth of truths to confess.]
I hurt her.
[It's what he does. He hurts people. That's not a productive thought to be having, it's not healthy, but he can't point to a single person who he hasn't fucked over in the name of a mission that he'd catastrophically failed to complete. And he doesn't know how to survive that, either.]
[ As he'd reminded her in the not-do-distant past, Maelle knows the unique agony of not getting to say goodbye. Though Gustave is back now, for a while she'd lived day after day of feeling torn up from the inside out, following his death. And of course there's her other brother: the one who haunts all of their lives, who'd shepherded her from the blazing room with that last assurance before the end. He'd made a choice, and there had been no time for the kinds of last words she's only been able to say to him in waking regrets and in dreams.
So she understands, at least in part, and doesn't doubt the intensity of the pain he feels. Another Verso is taking his sister's well-being onto his shoulders and is burning for it. ]
Families hurt each other. [ Maelle finally says, her tone more inscrutable. ] It's impossible to love someone, to be so...wrapped up in each other's lives and never hurt them. No matter how much you care.
[ Briefly, she turns this inward. It's easy to apply her own words to her relationship with her parents and sister. ...But trying to identify when her brother had done her wrong is nearly impossible. Martyrs are only ever remembered under the brightest and most blinding of lights, after all. ]
You're hurting, too. [ It's softer now, and there's something like a twinge of pain there. ] It's going to take time to deal with...everything. After so long.
[ The tragedies he's faced have spanned decades and he's seemingly been keeping them locked up in all that time. It's no wonder she's not able to get through at all, that he's withdrawn so deeply inside himself with the weight of the past dragging him down that he's surrounded by only darkness. ]
[It's almost oppressive how much Verso still wants to argue down every kind thing Maelle says. There are extents to the kind of pain one family member can cause another, and he exceeded those. He doesn't want to deal with everything – he lived the whole of his life since the Fracture convincing himself, in one direction or the other, that he would never fucking have to live through the future he's facing now. He deserves to die in all the ways a man possibly can be deserving.
But a voice in the back of his head snarls at him, fucking coward, and he bites it all back.
He's tired. He wants to sit back down on the bed, wants to wrap himself up in blankets so all he knows is darkness and warmth and the muffled sounds of life on either side of him. What he does instead is open the door just a crack – an unspoken invitation, should she pick up on it – and make his way back to the bed, sitting on the edge and staring at the sliver of light that spills into his too-dark room.]
I can't give you what you want, Maelle. [Is what he says shortly afterward, followed by a soft confession that might reach her, or it might not:] I have nothing left.
[Not his family. Not his friends who now live with the knowledge that he was already with extinguishing them twice. Not hope for the future, not the long-awaited promise of death, not an ounce of will to keep fighting a battle that he can only see as ending in an inevitable loss. Please, his tone says, but he keeps the word to himself. There's no longer any point to speaking it aloud.]
[ He goes quiet. She brings her hands together, fidgets, drops them again. Eventually the door peeks open just a tad and she perks up, pleasantly surprised, though she tries to manage expectations.
This will take time, she reminds herself. A lot of time. And because her only frame of reference is her lived experience, she unlocks a door she prefers to keep decidedly closed and remembers what it was like after the fire, before she'd entered the Canvas. ...The depth of that depression had felt endless, like she was falling through a void from which she'd never recover. The possibility of ending things had never occurred to her, so every day was just a hazy stretch of numb despair punctuated every so often by the most acute and painful sadness a person can feel.
In those memories, she can easily recall the physical sensation of being in that body, too. The awful injuries as they healed and scarred, the loss of her eye. Trying to speak and only being able to scream and cry and even those sounds were ragged and broken.
Maelle quickly shuts that all up again, stuffing it down. Draws a steadying breath before stepping into the room, pressing her back to the inside of the door this time and glancing only at Verso for a second before fixing her eyes on the wall opposite.
I can't give you what you want either, Verso. I wish things were different. ]
You don't have to...give me anything. [ She replies, and there's distaste on the word 'give.' ] All I wanted was to live-...with you, for us both to live. [ It's frustrating that the words don't come easily, though that should be expected, all things considered. Still. ] And...it's enough if you're here. You don't have to put on a performance [ or a mask ] for me. If you're alive, then you're doing enough.
[ You have me, she wants to add, to argue his claim of having nothing. He knows, right?
Of course, it'd be objectively better if he could find a reason to smile, to get out of bed. To play music again or explore the Continent. But they have so much time stretched out before them, and she knows -- believes -- they can get there someday.
[Maybe those are Maelle's truths – that Verso doesn't have to give anything of himself, that it's enough for him to exist – but they're not his own. It's his nature to people please. He's already struggling with the understanding that he's spent nearly two weeks doing nothing besides upsetting people, particularly Maelle, and it's aggravating, absolutely fucking aggravating, that he can't seem to pull himself up out of this.
The chill that settles on his shoulders when she talks about wanting to live alongside him makes peace particularly hard to find in this moment. That truth doesn't feel like Maelle's, it feels like Alicia's, which has Verso fixing her with another pained look as he shakes his head every slightly, barely perceptibly, and releases a shuddered breath.
This isn't what your brother gave his life for, he wants to say for what feels like the thousandth time, but that feels manipulative, cruel in ways he can't fathom being. So does, I don't know that I can choose to stay alive. It wouldn't get them anywhere, anyway; Maelle has closed herself off entirely from granting him that freedom, that one thing he wants more than anything.
All he can say is:] Maelle...
[He thinks that if she had asked anything else of him – go out and kill some Nevrons, reinforce the Dome, chip away at the paint spilling onto the streets of Lumiere, spend all of his waking moments turning the Crooked Tower back into the Eiffel – he probably could have done them. To simply live, though...
I can't rings clear in the desperation in his eyes, the closed-in tension of how he holds himself together, in the drawn-thin tone of his voice. Of everything he's faced over the years, all the truths he's discovered and lies he's perpetuated, nothing has felt more complicated than finding the will to meet more tomorrows than he already has.]
[ Maybe they're Maelle's truths. Maybe they're Alicia's truths. Everyone she was is gone now, and the person who remains is a complete stranger to herself, though she doesn't recognize this fact. She doesn't question the convictions she feels, doesn't seem compelled to question from which part of her fractured soul the beliefs and love and doubts all come, because the truth is that they're all fragments of a broken mirror that can never be put back together the same way again.
It doesn't hurt any less when she sees the subtle shake of his head. The denial of what she'd thought might be a reasonable-enough request -- just exist -- shouldn't be a surprise, though. He'd begged her to end his existence not long ago. It's clear he'd still accept that fate in an instant if she changed her mind. And when he speaks her name, she assumes she knows what's left unsaid.
She's asking too much again. Even though it'd seemed far less of an imposition than trying to get him to rejoin city life or talking to people or-...anything, it's too much.
Something presses against her throat. So...what? They'll both be locked up in here for the rest of the Canvas' lifespan, with him lying in the dark of his room and her sitting just outside because she can't pretend everything's fine when he wants to die more than anything? And then: what if this kind of thing speeds up her wasting away? The conflict post-Fracture had probably increased the rate at which Aline had broken down, so...maybe something like this will do the same, the longer it goes on.
Panic briefly flares up in her heart, eyes fixed on the wall opposite, though her gaze is far away. ]
...I'll leave you to it. [ She finally says, turning stiffly away. Maelle won't give up, because there are still shades of Maelle alive within her, but she'll have to go back to the drawing board. Try something else another day. Because right now, she doesn't seem to know how to do anything but drive more nails into the lid of their shared coffin. ]
[Asking itself is probably too much; in the silence that follows his speaking of Maelle's name, Verso considers – really considers – why they keep running into the same problem. And maybe, he thinks, it's because neither one of them has been willing to let the other exist on their own terms without trying to sway them into accepting their own diametrically oppositional perspectives as the absolute ones, the righteous ones.
So, when Maelle turns to leave, he says, simply:]
Wait.
[Words don't come easily after that, and he sits there for a moment, scrambling at anything that makes sense, that makes enough progress to demonstrate respect for her initial gesture, that portrait that's still neatly placed on top of his dresser. But he is stubborn, especially when it comes to the Dessendres – his own or the others – so he keeps trying. What other choice is there? She's sixteen. Maybe she's lived twice, but both those lives were rife with feelings of isolation, of not belonging. Verso can't expect her to just fucking know how to deal with him and the bullshit he can't deal with himself, and he can't let her sit in that failure to do anything when her efforts are so heartbreakingly genuine, even if they are sometimes confused.
The silence goes on longer than he'd have liked, but eventually, he finds something to say.]
Just... Just sit with me and stop trying to make this better. I'm not...
[A pause, a sigh, another shaking of his head as if that'll help settle his mind.]
[ Maelle is over the threshold when he calls out. She stops, half-turning, expression one of mingled curiosity and disappointment. As the silence stretches out, the uncomfortable feeling resurfaces again, but...well, he's probably trying to gather his thoughts. Like Maelle, Verso has clearly had a difficult time trying to put thoughts to words in a way that isn't just rehashing old ground, and so she turns more fully as she waits, watching him as he figures it out.
Oddly, it occurs to her in this moment that, before long, they might look more like siblings than ever. Already there is a little white visible at his hairline. Not for the first time, she wonders vaguely why, after the painted-over version of herself had been stripped away, she'd lost the color of her real hair, going the stark-white of the Canvas Dessendres. ...Aline's lingering influence, maybe. Nothing she particularly cares about, but an interesting reminder of the disconnect with her family all the same.
When he does speak, it gives her an unexpected jolt of hope. Her face melts a little with relief, and she's quick to nod. ]
Sure. [ This...is reasonable. For the first time, it feels like she has an opportunity that she can work with. So Maelle moves again into the room, if only a little, to sit against the wall with her knees propped up and her hands on the floor beside her.
Of course he's not ready. And she can see he's making an effort, which makes a world of difference. So she just lets herself be, doing the very thing she'd claimed to want from him: existing alongside the living memory of her brother, settling into this silence with much more ease than the one previous. And though some things she might talk about crop up, Maelle dismisses them, pushing aside the instinct and instead focusing on what she'd agreed to do, for now: just sit with me.
It's a start. A good start. And it lessens a little the knots in her belly. ]
[Immediately, Verso takes note of how far away she sits from him. Nothing like how she'd leaned her weight against him on that bench in Lumiere, or her fingers wrapped around his arm after he tried to pull away. He thinks about how persistent she was, how she'd told him what the real Verso would have wanted for his Canvas. There's a chill to the distance but also a sense that she can see him better from afar, the whole picture rather than the parts of him that resemble her brother. It's oddly relaxing.]
You too.
[The phrasing is awkward but he doesn't really notice. Doesn't have the mind to take care with his words or his sentiments.]
For the drawing. It really does look like her.
[Which is no less of an awkward thing to say. Of course, Maelle would know how she looks. Maelle would know better than anyone. All Verso understands is that one version of his sister looks different than the other; there's nothing in his memory about the real Alicia's scars, nothing to inform him about how they look in colour, framed by red hair instead of white, whether it makes them look harsher or more gentle. He can't even say if Aline's misguided resentment caused her to exaggerate them when she inflicted them on his little sister, or if they were true to how they appear in reality.
And he's glad for that unknowing. It lets him keep his Alicia as his own.]
Exactly how I want to remember her.
[Not the image of the look that's been burnt into his mind, the one she'd fixed him with when he'd handed her back her letter. Not the sight of her turning into petals, either, or that final glance she'd made in his direction before she was gone. He lets out a shaky sigh and wishes he'd placed the drawing on the bed instead of on the dresser, but he's grateful for its distance, too, because of how hard it already is to hold himself together.]
[ The distance is intentional, of course. She chooses to give him space because it feels like she's pushed too hard since their duel and can't risk shattering the tenuous balance they've seemingly struck in her offering the gift and him opening the door. Maelle hovers near the entrance out of that nagging worry that it will happen again: another fracture between them, another failed attempt.
It'd be nice, to sit closer. To have him there next to her, solid and real and alive. Maybe someday (soon?) they could get back to that. ]
Thanks. [ She says in response to the compliment. He seems sincere, but years of subtle reinforcement that this kind of art isn't her strength -- at least compared with the other Dessendres -- have eroded any real confidence in the craft. Even so, it's nice that it seems he appreciates it, and her expression looks mollified, even pleasantly embarrassed.
Memory is all that the world has left of Alicia. Maybe she could try and draw some more. Not just of her painted self, but of things from home that she'd never see again. The real manor, and Paris. Her family.
For now, though - ]
Would you tell me more about her? ...Sometime? [ She's quick to add the qualifier, minding his request that she merely sit with him even as the curiosity bubbles up. ] When you're feeling up to it.
[ Because that Alicia had lived a life all her own. One first drafted by Aline, then driven by a harsh truth and decades of chaos. So while the two of them had obviously borne a striking resemblance, Maelle knows that almost everything about the ashen girl is still a mystery. And...the only person left who might shed light on it all is here.
It might make him happy to talk about her, too, if he focuses on the good memories and not on how he feels he'd let her down. And her motive in most things lately has been to try and help him find some happiness, however small. The fragments that might one day help to form a reason to go on. ]
[There is a bit of hesitancy to the way Verso looks at Maelle after she asks her question. It's not that he considers it intrusive or even that he minds talking, but rather that he worries a little – a lot – that she will make another push for him to be happy if he says anything that even veers towards negativity. And it's hard, it's really fucking hard, for him to think about his little sister without simultaneously hating himself and wishing he'd been a better brother.
But he has spent so many years not talking about her; he has greeted every Expedition as if he and the other survivors are merely former comrades at arms against the Nevrons, long distanced and barely in each other's lives. Something that she knew was happening. There were times when she was curious about his companions; times, even, when she wanted to join in, sitting by the fire and listening to stories, pretending for a moment that she wasn't a voiceless anomaly, forever hiding behind her own mask, one that did nothing to hide away the things she most wanted to be hidden.
Verso had always left to spend time with her, though; he had sometimes warned her away from getting to close but had never invited her to join them. Every now and again she wouldn't be able to hide the sadness, the disappointment, the loneliness as he bade her goodbye.
Now, Maelle invites her into the room with them, and Verso can't find it in him to turn her away.]
Poetic. [He offers after another stretched-out moment.] You read her letter, but that's not even the half of it. She had this beautiful way with words. Could probably make you feel things about a cockroach if she wanted to, but it was so hard for her to talk that she only spoke up when she had something really meaningful to say.
[Otherwise, she spoke to him in her quiet language, expressions and gestures and stances that he came to understand as clear as anything. This he doesn't share because it had belonged to just the two of them, and that's how he wants to keep it.]
Her voice was one of my favourite sounds in the world.
[One of the most painful, too, but he's never minded.]
[ Poetic. Maelle does not mask her expression, which drifts toward the wistful. Regretful, even. She and Alicia were not twins or sisters, not two sides of the same coin. She was the paint Aline had taken to the canvas in Alicia's creation. It was from her that many of the foundational elements were drawn, painting the initial shape of the youngest Dessendre before letting it develop a life of its own. So...hearing about Alicia's way with words is bittersweet.
After all, it's a reflection of the Alicia that she'd been, once. She wonders if, in his time spent in the painted manor, Verso had ever looked around his sister's room (or any of it, really) and thought anything of the details. The mirror of her own room outside the Canvas had been fairly accurate, with its most important feature being the scores of books that lined the walls and formed towers on the floor.
She'd loved words, loved reading, loved writing. That had been part of the problem. ]
Did she ever write? [ Verso had written poetry. Had his younger sister done the same? ] For fun, I mean.
[ Not just dire letters that might determine the fate of the Canvas.
He mentions Alicia's voice. She remembers easily those last, choked words: send me to my family. Remembers, too, how painful and uncomfortable and difficult it would have been for Alicia to speak them.
Maelle swallows, especially aware in this moment of the whole and healthy nature of her throat. ]
All the time. When I... still lived at the manor, it was rare that she wasn't.
[Wistful, mournful, fond. He thinks about Alicia curled up in a plush chair, a leather-clad notebook on her knee, pen streaming across the paper with an ease and inspiration similar to how his own fingers take to piano keys, to guitar strings. Sometimes, she'd let him read what she'd written; sometimes, she would put lyrics to his music and he'd sing them for her, wishing that she was able to show him how the shape and flow of them was meant to sound without having to suffer for the effort.
So, the latter part of his response is a simple, almost silent:]
Me too.
[A darkness inside of him churns, angry, accusatorial. She should be here, he thinks and feels and frustrates over once again. But those feelings are misdirected, he knows; what had he done, what else had he fucking done, besides set his little sister up to want to cease existing?
He crosses his arms over his chest. Stares at an empty wall. Sighs.]
I wish she thought she could have spoken up earlier.
[Would that have changed anything? It's hard for him to say yes, given all that he knows and has seen and has done, but at least she'd have felt heard by someone. And maybe that would have been enough for her to want to keep trying. Maybe she'd still be here. Maybe he'd see her smile again, broad and beaming, her mask long forgotten and her eye bright as the stars.
Living with himself still feels like a stark impossibility.]
[ Maelle can't know Verso's thoughts, but her own fall along the same lines. It's so easy, so painful, to remember how her brother had encouraged her own writing. There had been countless instances of him offering to read some of what she'd penned and sharing his own in return. Sitting alongside him on the bench of the piano and writing lyrics together. Her excitedly recapping a twist from the most recent novel she'd devoured, animatedly walking him through every beat as he sat nearby with his usual warmth, that smile that bore both genuine interest and something like pride.
The old wounds threaten to open. She painfully extricates herself from those memories and instead focuses on the man who is and is not Verso as he tells her about the Alicia who is and is not her. ]
I'm sure she wrote beautifully. [ The hobby was surely made more precious by its nature: providing the voiceless with a voice. Maelle can only hope that Aline didn't line her painted daughter's bones with the guilt and consequence associated with writing.
It's still a dark enough sin that their mother had given Alicia the sounds of Verso's screams. ]
Maybe she spoke up when she meant to. [ Maelle says slowly, frowning a little as she thinks it over. ] I think...she saw a lot more than people think.
[ No, they hadn't gotten to spend much time together, but one of the strongest impressions Maelle had gotten from her doppleganger had been that Alicia was insightful. Maybe another trait borne of the necessity of her condition, but all the same, she'd seemed to be able to fix that eye on you and see to your core. Papa and probably all the rest had been understandably protective of her, but...Alicia had carried with her a wisdom. It's something that had helped her seem so at peace every time they'd met, and something of which Maelle feels a little twinge of jealousy. ]
[The urge to buck against any positive notion still flits through Verso like ever-lapping flames, desperate to consume anything that makes him feel even a modicum less like a horrible person. He wants to insist that he had taken away Alicia's voice, too – that he had not made it clear enough that he wanted to hear anything and everything she had to say, and so her silence was something different, another sin for him to bear, another act of harm he's personally inflicted against his family, both the real one and the one that's built on make-believe.
That was built on make-believe. Heaven forbid he go a moment without existing in the understanding that he's the only one left.
Instead of dwelling, though, he tries to think about what would be best for Alicia, and how to hear her now that she's gone, how to convey the things she had never put to words for one reason or another. And the only way he can think to do that is to ground everything in what feel like facts to him.]
No. She waited until the last minute. The night with the wine... she gave me the letter then. Before that, it was you she tried to reach. Because you're right. She was so intelligent, so observant that she saw right through me.
[And she understood that the only way she could be heard was to through her real self, through her long-lost voice. At least, that's Verso's read on things. What hurts the most is despite all that – despite how she wanted to see the Canvas be guided down a different path, a better path – she still wasn't willing to go completely behind Verso's back. She still handed him the letter.
[ The night with the wine. Maelle revisits the memory, which feels a little more now like thinking about a film you'd seen months ago than anything. What had Sciel said? "Someone's been hiding something from us?"
If she could go back through it all, how much would it have seemed painfully obvious, in hindsight? ...But, that's how hindsight works, she supposes. It isn't fair to look at the way the pieces of a completed puzzle fit together and wipe away the fact that it'd been a jumbled mess at the start.
So that had been when her painted self had passed over the letter. Yes, she can remember Verso's absence, especially so because it'd been such a fun night. Dancing, the others drinking, the warmth of the fire...and hope. The most they'd felt in-...maybe the whole of the expedition. But Verso hadn't been there. And though it hadn't seemed overly unusual at the time, she does remember feeling disappointment that he wasn't with them to celebrate what he'd helped them to accomplish. ]
...Well, I couldn't give her what she wanted. [ It had never made sense, and Alicia had so often been accompanied by her father that Maelle's thirst for vengeance had overshadowed all else. ] I let her down, too.
[ She doesn't fully blame herself for this, not when it'd have been nearly impossible to understand Alicia's wishes when she'd been only Maelle, but. ]
Part of what she wrote was that you had a choice. [ Trust is complicated, like most everything else. ] She was tired of it all, too. So...it's a disservice to her, isn't it? To not take her at her word: that she knew the outcomes and would accept either?
[Verso cannot know what Alicia had in mind, of course – it's yet another important question that he'd held himself back from asking – but he suspects that she was trying to wake her other self up, to force Maelle to remember that she isn't really herself. Maybe it's part of the self-loathing. Maybe it's another indication that he hadn't really tried to get to know Alicia as the girl she became after the Fracture. Maybe he no idea about anything. That's never stopped his mind from settling itself where it believes it needs to settle.
The rest of what Maelle says finds Verso sinking all the more into the bed. Alicia had given him a choice, it's true; she had said she would be at peace with whatever was to come. But Verso knows that peace is not always an uplifting thing. It isn't always an embrace of what's to come.
So, with a shattered voice:]
She killed herself, Maelle.
[He'll spare her the rehashing of how she'd dismissed him outright, how she'd refused to look at him, how she hadn't even wanted to speak with him one last time before becoming petals and smoke and memory.]
That was the outcome of the choice I made.
[Depression and despair won't permit him any other interpretation but that he had killed her, maybe not directly but decisively all the same.]
I didn't know...
[That she was grappling with ideation. That the thing she might have been at peace with was disowning him as her brother. That in all his time here, fighting through the consequences of Verso's sacrifice, he had completely neglected to save his own sister.
He is not the real Verso. He is undeserving of the comparison.]
[ Another series of "what-ifs." If Alicia, or her father, or anyone else had managed to open Maelle's eyes before that last Gommage wiped it all clean. There were so many moments, of course: the visions, dreams, flashes of people and a world that was completely unfamiliar then. Hell, she'd caught a glimpse of her father after they'd provided that first Axon heart to the Curator, but of course had only seen him as one and the same with the man who'd murdered Gustave.
It never would have worked. Nobody in the Canvas co could have managed it, except maybe Aline, who... Well, she won't try and understand why her mother did or didn't do certain things. Especially not when the subject is Alicia, and Verso is coming more undone by the minute.
"She killed herself," he says. Maelle's jaw tightens, hit unexpectedly with this perspective on what happened as compared with the previous accusations about her own involvement in Alicia's fading away. People...choose their ends in different, indirect ways. Particularly in that family. Renoir had stood against them, against the Curator, knowing he would fall to protect the Canvas. Clea had had enough, using their strength to help drive the blades of her creations through her. And Verso...
Maybe someday she won't hear his begging as clearly as if he's saying it now, but that day isn't today. ]
Life's not that simple. [ Maelle says after a stretch, watching his shrinking form with sympathy. ] There were a million things that led to that, and you can't take responsibility for all of them.
[ If Renoir hadn't killed Gustave, would Maelle have felt so compelled to hunt him down and take him from his daughter? Or instead, if he'd accepted the course of things the way Alicia had and taken himself out of their path, maybe that would have kept the painted girl in this world longer, too.
There's just no point. Verso loads up his arms with guilt and wrongdoing and refuses to set a single one down, even as they drag him to the ground. ]
She lives on in you now. That's a responsibility you do have to bear.
[Is it his responsibility? He doesn't immediately know how to answer that; the topic is too fraught, considering how his existence centres around some other man living on in him. Which isn't a fair assessment of what Maelle is saying because she's not wrong. Maybe his family's chroma still exists, pooled on mountain tops and on Monoliths and in flying manors, but that doesn't mean much of anything if he isn't around to carry on its essence.
Barely anyone in this world even knows that Alicia once existed. Even the 33s spent mere moments in her company before she was gone, her petals lingering in their awareness longer than she had as someone whole and real and alive. So, maybe Maelle is right. Only he can give his little sister's life meaning. Only he can ensure that she's never truly gone.
It's daunting. It feels impossible. His own death has long felt like a selfless thing to him, something that can only serve to make the Canvas a better place for everyone, even if it might inspire a fresh surge of grief in a world already overburdened by it. But now, all the pain he'd felt through losing Alicia strikes him with renewed force. Like he's placing her on the verge of yet more destruction. As much as he wants to be forgotten, he craves for her memory to live on and on and on.
Even in a dying world.
Maelle didn't mean to make him feel worse, he knows, so he fights to hide that she has, casting his attention over to the folder on the dresser, hoping that the shadows of the room take the shape of masks. She probably didn't mean to corner him with no avenue for standing up for the truths he holds closest to his heart, but that's also the effect, and the only thing he can bring himself to do in response is to yield.]
Okay. [It's not, but he has no choice but to make it into a mantra.] Okay.
[ Maybe he means it, maybe he doesn't. She wishes she had something helpful to say, but this isn't a burden she can carry with him. Alicia is both a twin and a stranger, and Maelle can only watch as Verso grapples with what it might mean to live for his sister: a result born from another Verso dying for his own.
So...for now, she continues to just sit with him, as he asks. Remains at the base of the door for a while, and then eventually moving so she's instead on the floor with her back to the bed instead, repositioning before losing herself in thought again.
Here they are: two people who don't belong in this world, trying to figure out how to survive in it without losing their minds. Maybe, though, that's an inevitability they both face.
In this stretch of weighted silence, she tries to retread the ground they'd covered since returning to the city. His wishes, his advice, his hopes for her. There's too much of it that she's already said she can't allow, and Maelle doesn't even let the echoes of those requests into the privacy of her mind. But...she does want him to be okay. She wants him to find happiness, even if he reacts to that intention, when voiced, as if she'd wished him the opposite. It feels like an impossible task in the face of their precipitous conversations so far, and there's a very real concern that it'll just be this for the rest of their years: her trying and failing, him trying and failing. Verso aging all the while, becoming more of a memory of her (their) (his) father than anything, and Maelle steadily eroding in a decay reminiscent of their mother.
Maybe even that would be okay, though. Because as long as they're still able to be in each other's company, to talk... However contentious it is, it's them. She hasn't lost him. And isn't that the whole point?
Not the only point, she chides herself, sighing inwardly.
Eventually, she's drawn from her reverie. Unsure how much time has past, the teenager stretches out her legs, rolling her neck, finding herself uncomfortably stiff from the time spent sat on the hard floor. ]
...I've got a few errands I should run. [ Maelle says, as if she isn't someone with the ability to create whatever she needs. She does mean it, though, because Painting is still not her first instinct in any situation. ] Is there...anything I can get you?
[It's something, at least, that when Maelle moves closer to him, Verso only moves to watch. And once she's settled into place, he sinks back against the bed, settling as much he can in turn. Which still isn't a lot. It still isn't much of anything. But, again, it's not nothing.
Where she fills the silence, he lets it consume him. Lets the insurmountable army of his thoughts breach his focus and storm his attention, let his head throb with the intensity of hundreds of thousands of footsteps marching in militant unison. Organising them into something that makes sense, something that he can mould into a concept of an idea of a thought of a future, is beyond him, though, and so he does the same damned thing that he's been doing since he first regained consciousness: he lets them trample away at the lingering traces of life in him.
They're stubborn, though – they're so goddamned fucking stubborn, those traces of life – and so he remains present enough to receive it all, every attack his mind wants to launch at him, every sound outside, every motion Maelle makes – a stretch, a yawn, a shifting on the floor, until she starts speaking again and warlike self-flagellation retreats.]
I'm...
[Fine. Such a wholly obvious lie that Verso isn't going to speak it aloud for how it would be nothing more than a waste of breath.]
No. I don't – [want anything, he thinks, but what he says instead is:] – need anything.
[ Well, it isn't as if she'd expected him to say "you know what, an eclair might be nice, actually." And she doesn't ask what he wants, either, because they don't offer assisted suicide in the market, and she's trying to be better about not setting herself up to make things worse again. ]
Okay. [ But Maelle hovers all the same. The compulsion is there: to offer him anything she can (besides the one forbidden thing) that might bring him even fleeting happiness. Another walk, maybe, or a doorway from his room to his hut outside the Gestral Village. ...Maybe Monoco or Esquie, who knew him better than anyone, and the latter of which was literally created to bring comfort and joy.
She holds her tongue, chewing on the inside of her bottom lip. Merde. Not for the first time, she thinks about how easily one of the others could navigate this conversation. Lune, with her pragmatism. Sciel, with her warmth. Even Gustave, who'd never met Verso...
(Maelle hasn't told her guardian the truth. Hasn't shared that with anyone. Because though she's made her peace with it, something tells her at least some of the rest of the 33s might not take it especially well, even now.) ]
Do you... [ If he's going to continue to hole up in this room, then can she maybe make it a better place for him? ] Want anything else in here? Some books, or records, or...
[ Whatever she can't buy, she can Paint. And though she's not going to stop gradually trying to draw him out from his self-imposed prison, maybe...it'd be more of an olive branch to let him keep to his space while also seeing if there might be a way to make it less of a penitentiary. ]
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tableauvivant) wrote2025-09-17 01:14 pm
bats eyelashes
I should have thought of you, she'd said. Maybe she could at least provide some relief for that pain now, however minute.
As she retreats, Maelle detects the sounds of his reaction, though they're dulled by the walls and door that stand between them. She slows to a stop at the end of the little hallway, staring into middle distance with her ears perked up and her heart again drumming maddeningly in her ears. Part of her still expects that'll be it, and he'll go on as he has been to this point (locked in his room without saying a word). Part of her thinks instead there's a chance he'll emerge and look at her the way he had after she'd erased Alicia: an expression that is seared into her mind.
Neither of those things happen. She hears his response and her expression softens: pained, but...relieved, in a way. ]
You meant everything to her. [ Maelle replies simply, turning again to the door. Verso may have known Alicia better, but the youngest Dessendre still knows her mirror well enough.
Not for the first time, Maelle feels a twinge of jealousy. She would, without hesitation, take on the physical tolls of the fire if it meant her brother could live, and that she could have had more time with him. Decades spent together, as the Alicia and Verso of the Canvas had had.
At his self-condemnation, she sighs softly, dropping her gaze. ]
Making mistakes or selfish choices just means you're human. [ She states. ] Do you think Alicia would want you to punish yourself forever?
[ What had he done that couldn't be forgiven? That couldn't be undone, in this new world? And she thinks: it must be exhausting to put yourself on trial every day for so long, to pass down judgment with the only available sentence being an eternity of guilt and self-loathing. ]
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But he has already done Alicia enough disservices, so he holds himself back from objecting to the wrong thing.]
It doesn't matter. I never put her first.
[It's lost on him how he's not exactly putting Maelle first now, either. He still wants to force her out, still wants to abandon her to her life in Paris, still wants to whisper the same kinds of fantasy into her ear that she whispers into his own as if there's enough of a difference between that and what she's doing to him to make it objectively justifiable.
Does he think that Alicia would want this for him, though? At this point, he honestly doesn't know. Despair hangs so think all about him that he feels like the only way he can atone is to either extinguish his own existence or else slowly drown himself in remorse. What right does he have to life in the city she had wanted to save but will never get to experience? How can he be expected to live with himself, even for a moment, when his actions had contributed her shift from an empowered girl willing to fight for a different future to one who had given up on living at all?
All he's done is devastate the people he loves the most.]
You read her letter. You know what I did to her.
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She knew what you might choose. Said that she was at peace whatever happened. [ Unseen, Maelle's expression softens. ] And she was, at the end. The letter was her goodbye.
[ How would things have gone if he'd given it to her before they'd forced Aline from the Canvas? What if Alicia herself had made that choice and told them the truth? ...No, she wouldn't have done that to Verso. But what would have become of them all -- the painted Dessendres included -- if the man who held their fate in his hands had chosen another path?
It's not the first time she's mulled it over. But...well, there isn't a point, is there? They'd all made their respective choices. No what-ifs would make a difference now. ]
She wanted peace for you. [ Maelle reminds him. And maybe he still believes the only way he'll ever achieve that is through oblivion, but she thinks -- knows -- otherwise. Maybe Alicia had the same hope for her big brother: a new life, a real one, all for himself. Built on the hopes of all his sisters. ]
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It's been nearly seventy years since he'd sat down and dealt with any of what he was feeling, any of what he'd done, and he can't escape it at all. He only knows how to double down, to grasp white-knuckled onto the blade he keeps stabbing into his own heart, as if him bleeding himself out could possibly help anything or anyone.]
She was hurt.
[No matter what she said. Maybe it wasn't his ignoring of the letter that did it. Maybe it was killing their father. Maybe it was leaving her alone with her grief and her confusion while he sat in Lumiere and moped until Maelle swooped in to drag him away. Maybe it was how he never apologised for anything, never acknowledged anything, didn't even say anything to her besides "Your letter," despite having volumes worth of truths to confess.]
I hurt her.
[It's what he does. He hurts people. That's not a productive thought to be having, it's not healthy, but he can't point to a single person who he hasn't fucked over in the name of a mission that he'd catastrophically failed to complete. And he doesn't know how to survive that, either.]
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So she understands, at least in part, and doesn't doubt the intensity of the pain he feels. Another Verso is taking his sister's well-being onto his shoulders and is burning for it. ]
Families hurt each other. [ Maelle finally says, her tone more inscrutable. ] It's impossible to love someone, to be so...wrapped up in each other's lives and never hurt them. No matter how much you care.
[ Briefly, she turns this inward. It's easy to apply her own words to her relationship with her parents and sister. ...But trying to identify when her brother had done her wrong is nearly impossible. Martyrs are only ever remembered under the brightest and most blinding of lights, after all. ]
You're hurting, too. [ It's softer now, and there's something like a twinge of pain there. ] It's going to take time to deal with...everything. After so long.
[ The tragedies he's faced have spanned decades and he's seemingly been keeping them locked up in all that time. It's no wonder she's not able to get through at all, that he's withdrawn so deeply inside himself with the weight of the past dragging him down that he's surrounded by only darkness. ]
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But a voice in the back of his head snarls at him, fucking coward, and he bites it all back.
He's tired. He wants to sit back down on the bed, wants to wrap himself up in blankets so all he knows is darkness and warmth and the muffled sounds of life on either side of him. What he does instead is open the door just a crack – an unspoken invitation, should she pick up on it – and make his way back to the bed, sitting on the edge and staring at the sliver of light that spills into his too-dark room.]
I can't give you what you want, Maelle. [Is what he says shortly afterward, followed by a soft confession that might reach her, or it might not:] I have nothing left.
[Not his family. Not his friends who now live with the knowledge that he was already with extinguishing them twice. Not hope for the future, not the long-awaited promise of death, not an ounce of will to keep fighting a battle that he can only see as ending in an inevitable loss. Please, his tone says, but he keeps the word to himself. There's no longer any point to speaking it aloud.]
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This will take time, she reminds herself. A lot of time. And because her only frame of reference is her lived experience, she unlocks a door she prefers to keep decidedly closed and remembers what it was like after the fire, before she'd entered the Canvas. ...The depth of that depression had felt endless, like she was falling through a void from which she'd never recover. The possibility of ending things had never occurred to her, so every day was just a hazy stretch of numb despair punctuated every so often by the most acute and painful sadness a person can feel.
In those memories, she can easily recall the physical sensation of being in that body, too. The awful injuries as they healed and scarred, the loss of her eye. Trying to speak and only being able to scream and cry and even those sounds were ragged and broken.
Maelle quickly shuts that all up again, stuffing it down. Draws a steadying breath before stepping into the room, pressing her back to the inside of the door this time and glancing only at Verso for a second before fixing her eyes on the wall opposite.
I can't give you what you want either, Verso. I wish things were different. ]
You don't have to...give me anything. [ She replies, and there's distaste on the word 'give.' ] All I wanted was to live-...with you, for us both to live. [ It's frustrating that the words don't come easily, though that should be expected, all things considered. Still. ] And...it's enough if you're here. You don't have to put on a performance [ or a mask ] for me. If you're alive, then you're doing enough.
[ You have me, she wants to add, to argue his claim of having nothing. He knows, right?
Of course, it'd be objectively better if he could find a reason to smile, to get out of bed. To play music again or explore the Continent. But they have so much time stretched out before them, and she knows -- believes -- they can get there someday.
One day at a time. ]
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The chill that settles on his shoulders when she talks about wanting to live alongside him makes peace particularly hard to find in this moment. That truth doesn't feel like Maelle's, it feels like Alicia's, which has Verso fixing her with another pained look as he shakes his head every slightly, barely perceptibly, and releases a shuddered breath.
This isn't what your brother gave his life for, he wants to say for what feels like the thousandth time, but that feels manipulative, cruel in ways he can't fathom being. So does, I don't know that I can choose to stay alive. It wouldn't get them anywhere, anyway; Maelle has closed herself off entirely from granting him that freedom, that one thing he wants more than anything.
All he can say is:] Maelle...
[He thinks that if she had asked anything else of him – go out and kill some Nevrons, reinforce the Dome, chip away at the paint spilling onto the streets of Lumiere, spend all of his waking moments turning the Crooked Tower back into the Eiffel – he probably could have done them. To simply live, though...
I can't rings clear in the desperation in his eyes, the closed-in tension of how he holds himself together, in the drawn-thin tone of his voice. Of everything he's faced over the years, all the truths he's discovered and lies he's perpetuated, nothing has felt more complicated than finding the will to meet more tomorrows than he already has.]
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It doesn't hurt any less when she sees the subtle shake of his head. The denial of what she'd thought might be a reasonable-enough request -- just exist -- shouldn't be a surprise, though. He'd begged her to end his existence not long ago. It's clear he'd still accept that fate in an instant if she changed her mind. And when he speaks her name, she assumes she knows what's left unsaid.
She's asking too much again. Even though it'd seemed far less of an imposition than trying to get him to rejoin city life or talking to people or-...anything, it's too much.
Something presses against her throat. So...what? They'll both be locked up in here for the rest of the Canvas' lifespan, with him lying in the dark of his room and her sitting just outside because she can't pretend everything's fine when he wants to die more than anything? And then: what if this kind of thing speeds up her wasting away? The conflict post-Fracture had probably increased the rate at which Aline had broken down, so...maybe something like this will do the same, the longer it goes on.
Panic briefly flares up in her heart, eyes fixed on the wall opposite, though her gaze is far away. ]
...I'll leave you to it. [ She finally says, turning stiffly away. Maelle won't give up, because there are still shades of Maelle alive within her, but she'll have to go back to the drawing board. Try something else another day. Because right now, she doesn't seem to know how to do anything but drive more nails into the lid of their shared coffin. ]
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So, when Maelle turns to leave, he says, simply:]
Wait.
[Words don't come easily after that, and he sits there for a moment, scrambling at anything that makes sense, that makes enough progress to demonstrate respect for her initial gesture, that portrait that's still neatly placed on top of his dresser. But he is stubborn, especially when it comes to the Dessendres – his own or the others – so he keeps trying. What other choice is there? She's sixteen. Maybe she's lived twice, but both those lives were rife with feelings of isolation, of not belonging. Verso can't expect her to just fucking know how to deal with him and the bullshit he can't deal with himself, and he can't let her sit in that failure to do anything when her efforts are so heartbreakingly genuine, even if they are sometimes confused.
The silence goes on longer than he'd have liked, but eventually, he finds something to say.]
Just... Just sit with me and stop trying to make this better. I'm not...
[A pause, a sigh, another shaking of his head as if that'll help settle his mind.]
I'm not ready.
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Oddly, it occurs to her in this moment that, before long, they might look more like siblings than ever. Already there is a little white visible at his hairline. Not for the first time, she wonders vaguely why, after the painted-over version of herself had been stripped away, she'd lost the color of her real hair, going the stark-white of the Canvas Dessendres. ...Aline's lingering influence, maybe. Nothing she particularly cares about, but an interesting reminder of the disconnect with her family all the same.
When he does speak, it gives her an unexpected jolt of hope. Her face melts a little with relief, and she's quick to nod. ]
Sure. [ This...is reasonable. For the first time, it feels like she has an opportunity that she can work with. So Maelle moves again into the room, if only a little, to sit against the wall with her knees propped up and her hands on the floor beside her.
Of course he's not ready. And she can see he's making an effort, which makes a world of difference. So she just lets herself be, doing the very thing she'd claimed to want from him: existing alongside the living memory of her brother, settling into this silence with much more ease than the one previous. And though some things she might talk about crop up, Maelle dismisses them, pushing aside the instinct and instead focusing on what she'd agreed to do, for now: just sit with me.
It's a start. A good start. And it lessens a little the knots in her belly. ]
...Thanks. [ For trying. ]
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You too.
[The phrasing is awkward but he doesn't really notice. Doesn't have the mind to take care with his words or his sentiments.]
For the drawing. It really does look like her.
[Which is no less of an awkward thing to say. Of course, Maelle would know how she looks. Maelle would know better than anyone. All Verso understands is that one version of his sister looks different than the other; there's nothing in his memory about the real Alicia's scars, nothing to inform him about how they look in colour, framed by red hair instead of white, whether it makes them look harsher or more gentle. He can't even say if Aline's misguided resentment caused her to exaggerate them when she inflicted them on his little sister, or if they were true to how they appear in reality.
And he's glad for that unknowing. It lets him keep his Alicia as his own.]
Exactly how I want to remember her.
[Not the image of the look that's been burnt into his mind, the one she'd fixed him with when he'd handed her back her letter. Not the sight of her turning into petals, either, or that final glance she'd made in his direction before she was gone. He lets out a shaky sigh and wishes he'd placed the drawing on the bed instead of on the dresser, but he's grateful for its distance, too, because of how hard it already is to hold himself together.]
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It'd be nice, to sit closer. To have him there next to her, solid and real and alive. Maybe someday (soon?) they could get back to that. ]
Thanks. [ She says in response to the compliment. He seems sincere, but years of subtle reinforcement that this kind of art isn't her strength -- at least compared with the other Dessendres -- have eroded any real confidence in the craft. Even so, it's nice that it seems he appreciates it, and her expression looks mollified, even pleasantly embarrassed.
Memory is all that the world has left of Alicia. Maybe she could try and draw some more. Not just of her painted self, but of things from home that she'd never see again. The real manor, and Paris. Her family.
For now, though - ]
Would you tell me more about her? ...Sometime? [ She's quick to add the qualifier, minding his request that she merely sit with him even as the curiosity bubbles up. ] When you're feeling up to it.
[ Because that Alicia had lived a life all her own. One first drafted by Aline, then driven by a harsh truth and decades of chaos. So while the two of them had obviously borne a striking resemblance, Maelle knows that almost everything about the ashen girl is still a mystery. And...the only person left who might shed light on it all is here.
It might make him happy to talk about her, too, if he focuses on the good memories and not on how he feels he'd let her down. And her motive in most things lately has been to try and help him find some happiness, however small. The fragments that might one day help to form a reason to go on. ]
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But he has spent so many years not talking about her; he has greeted every Expedition as if he and the other survivors are merely former comrades at arms against the Nevrons, long distanced and barely in each other's lives. Something that she knew was happening. There were times when she was curious about his companions; times, even, when she wanted to join in, sitting by the fire and listening to stories, pretending for a moment that she wasn't a voiceless anomaly, forever hiding behind her own mask, one that did nothing to hide away the things she most wanted to be hidden.
Verso had always left to spend time with her, though; he had sometimes warned her away from getting to close but had never invited her to join them. Every now and again she wouldn't be able to hide the sadness, the disappointment, the loneliness as he bade her goodbye.
Now, Maelle invites her into the room with them, and Verso can't find it in him to turn her away.]
Poetic. [He offers after another stretched-out moment.] You read her letter, but that's not even the half of it. She had this beautiful way with words. Could probably make you feel things about a cockroach if she wanted to, but it was so hard for her to talk that she only spoke up when she had something really meaningful to say.
[Otherwise, she spoke to him in her quiet language, expressions and gestures and stances that he came to understand as clear as anything. This he doesn't share because it had belonged to just the two of them, and that's how he wants to keep it.]
Her voice was one of my favourite sounds in the world.
[One of the most painful, too, but he's never minded.]
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After all, it's a reflection of the Alicia that she'd been, once. She wonders if, in his time spent in the painted manor, Verso had ever looked around his sister's room (or any of it, really) and thought anything of the details. The mirror of her own room outside the Canvas had been fairly accurate, with its most important feature being the scores of books that lined the walls and formed towers on the floor.
She'd loved words, loved reading, loved writing. That had been part of the problem. ]
Did she ever write? [ Verso had written poetry. Had his younger sister done the same? ] For fun, I mean.
[ Not just dire letters that might determine the fate of the Canvas.
He mentions Alicia's voice. She remembers easily those last, choked words: send me to my family. Remembers, too, how painful and uncomfortable and difficult it would have been for Alicia to speak them.
Maelle swallows, especially aware in this moment of the whole and healthy nature of her throat. ]
I wish I could've heard it more.
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[Wistful, mournful, fond. He thinks about Alicia curled up in a plush chair, a leather-clad notebook on her knee, pen streaming across the paper with an ease and inspiration similar to how his own fingers take to piano keys, to guitar strings. Sometimes, she'd let him read what she'd written; sometimes, she would put lyrics to his music and he'd sing them for her, wishing that she was able to show him how the shape and flow of them was meant to sound without having to suffer for the effort.
So, the latter part of his response is a simple, almost silent:]
Me too.
[A darkness inside of him churns, angry, accusatorial. She should be here, he thinks and feels and frustrates over once again. But those feelings are misdirected, he knows; what had he done, what else had he fucking done, besides set his little sister up to want to cease existing?
He crosses his arms over his chest. Stares at an empty wall. Sighs.]
I wish she thought she could have spoken up earlier.
[Would that have changed anything? It's hard for him to say yes, given all that he knows and has seen and has done, but at least she'd have felt heard by someone. And maybe that would have been enough for her to want to keep trying. Maybe she'd still be here. Maybe he'd see her smile again, broad and beaming, her mask long forgotten and her eye bright as the stars.
Living with himself still feels like a stark impossibility.]
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The old wounds threaten to open. She painfully extricates herself from those memories and instead focuses on the man who is and is not Verso as he tells her about the Alicia who is and is not her. ]
I'm sure she wrote beautifully. [ The hobby was surely made more precious by its nature: providing the voiceless with a voice. Maelle can only hope that Aline didn't line her painted daughter's bones with the guilt and consequence associated with writing.
It's still a dark enough sin that their mother had given Alicia the sounds of Verso's screams. ]
Maybe she spoke up when she meant to. [ Maelle says slowly, frowning a little as she thinks it over. ] I think...she saw a lot more than people think.
[ No, they hadn't gotten to spend much time together, but one of the strongest impressions Maelle had gotten from her doppleganger had been that Alicia was insightful. Maybe another trait borne of the necessity of her condition, but all the same, she'd seemed to be able to fix that eye on you and see to your core. Papa and probably all the rest had been understandably protective of her, but...Alicia had carried with her a wisdom. It's something that had helped her seem so at peace every time they'd met, and something of which Maelle feels a little twinge of jealousy. ]
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That was built on make-believe. Heaven forbid he go a moment without existing in the understanding that he's the only one left.
Instead of dwelling, though, he tries to think about what would be best for Alicia, and how to hear her now that she's gone, how to convey the things she had never put to words for one reason or another. And the only way he can think to do that is to ground everything in what feel like facts to him.]
No. She waited until the last minute. The night with the wine... she gave me the letter then. Before that, it was you she tried to reach. Because you're right. She was so intelligent, so observant that she saw right through me.
[And she understood that the only way she could be heard was to through her real self, through her long-lost voice. At least, that's Verso's read on things. What hurts the most is despite all that – despite how she wanted to see the Canvas be guided down a different path, a better path – she still wasn't willing to go completely behind Verso's back. She still handed him the letter.
What a fucking waste of trust.]
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If she could go back through it all, how much would it have seemed painfully obvious, in hindsight? ...But, that's how hindsight works, she supposes. It isn't fair to look at the way the pieces of a completed puzzle fit together and wipe away the fact that it'd been a jumbled mess at the start.
So that had been when her painted self had passed over the letter. Yes, she can remember Verso's absence, especially so because it'd been such a fun night. Dancing, the others drinking, the warmth of the fire...and hope. The most they'd felt in-...maybe the whole of the expedition. But Verso hadn't been there. And though it hadn't seemed overly unusual at the time, she does remember feeling disappointment that he wasn't with them to celebrate what he'd helped them to accomplish. ]
...Well, I couldn't give her what she wanted. [ It had never made sense, and Alicia had so often been accompanied by her father that Maelle's thirst for vengeance had overshadowed all else. ] I let her down, too.
[ She doesn't fully blame herself for this, not when it'd have been nearly impossible to understand Alicia's wishes when she'd been only Maelle, but. ]
Part of what she wrote was that you had a choice. [ Trust is complicated, like most everything else. ] She was tired of it all, too. So...it's a disservice to her, isn't it? To not take her at her word: that she knew the outcomes and would accept either?
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[Verso cannot know what Alicia had in mind, of course – it's yet another important question that he'd held himself back from asking – but he suspects that she was trying to wake her other self up, to force Maelle to remember that she isn't really herself. Maybe it's part of the self-loathing. Maybe it's another indication that he hadn't really tried to get to know Alicia as the girl she became after the Fracture. Maybe he no idea about anything. That's never stopped his mind from settling itself where it believes it needs to settle.
The rest of what Maelle says finds Verso sinking all the more into the bed. Alicia had given him a choice, it's true; she had said she would be at peace with whatever was to come. But Verso knows that peace is not always an uplifting thing. It isn't always an embrace of what's to come.
So, with a shattered voice:]
She killed herself, Maelle.
[He'll spare her the rehashing of how she'd dismissed him outright, how she'd refused to look at him, how she hadn't even wanted to speak with him one last time before becoming petals and smoke and memory.]
That was the outcome of the choice I made.
[Depression and despair won't permit him any other interpretation but that he had killed her, maybe not directly but decisively all the same.]
I didn't know...
[That she was grappling with ideation. That the thing she might have been at peace with was disowning him as her brother. That in all his time here, fighting through the consequences of Verso's sacrifice, he had completely neglected to save his own sister.
He is not the real Verso. He is undeserving of the comparison.]
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It never would have worked. Nobody in the Canvas co could have managed it, except maybe Aline, who... Well, she won't try and understand why her mother did or didn't do certain things. Especially not when the subject is Alicia, and Verso is coming more undone by the minute.
"She killed herself," he says. Maelle's jaw tightens, hit unexpectedly with this perspective on what happened as compared with the previous accusations about her own involvement in Alicia's fading away. People...choose their ends in different, indirect ways. Particularly in that family. Renoir had stood against them, against the Curator, knowing he would fall to protect the Canvas. Clea had had enough, using their strength to help drive the blades of her creations through her. And Verso...
Maybe someday she won't hear his begging as clearly as if he's saying it now, but that day isn't today. ]
Life's not that simple. [ Maelle says after a stretch, watching his shrinking form with sympathy. ] There were a million things that led to that, and you can't take responsibility for all of them.
[ If Renoir hadn't killed Gustave, would Maelle have felt so compelled to hunt him down and take him from his daughter? Or instead, if he'd accepted the course of things the way Alicia had and taken himself out of their path, maybe that would have kept the painted girl in this world longer, too.
There's just no point. Verso loads up his arms with guilt and wrongdoing and refuses to set a single one down, even as they drag him to the ground. ]
She lives on in you now. That's a responsibility you do have to bear.
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Barely anyone in this world even knows that Alicia once existed. Even the 33s spent mere moments in her company before she was gone, her petals lingering in their awareness longer than she had as someone whole and real and alive. So, maybe Maelle is right. Only he can give his little sister's life meaning. Only he can ensure that she's never truly gone.
It's daunting. It feels impossible. His own death has long felt like a selfless thing to him, something that can only serve to make the Canvas a better place for everyone, even if it might inspire a fresh surge of grief in a world already overburdened by it. But now, all the pain he'd felt through losing Alicia strikes him with renewed force. Like he's placing her on the verge of yet more destruction. As much as he wants to be forgotten, he craves for her memory to live on and on and on.
Even in a dying world.
Maelle didn't mean to make him feel worse, he knows, so he fights to hide that she has, casting his attention over to the folder on the dresser, hoping that the shadows of the room take the shape of masks. She probably didn't mean to corner him with no avenue for standing up for the truths he holds closest to his heart, but that's also the effect, and the only thing he can bring himself to do in response is to yield.]
Okay. [It's not, but he has no choice but to make it into a mantra.] Okay.
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So...for now, she continues to just sit with him, as he asks. Remains at the base of the door for a while, and then eventually moving so she's instead on the floor with her back to the bed instead, repositioning before losing herself in thought again.
Here they are: two people who don't belong in this world, trying to figure out how to survive in it without losing their minds. Maybe, though, that's an inevitability they both face.
In this stretch of weighted silence, she tries to retread the ground they'd covered since returning to the city. His wishes, his advice, his hopes for her. There's too much of it that she's already said she can't allow, and Maelle doesn't even let the echoes of those requests into the privacy of her mind. But...she does want him to be okay. She wants him to find happiness, even if he reacts to that intention, when voiced, as if she'd wished him the opposite. It feels like an impossible task in the face of their precipitous conversations so far, and there's a very real concern that it'll just be this for the rest of their years: her trying and failing, him trying and failing. Verso aging all the while, becoming more of a memory of her (their) (his) father than anything, and Maelle steadily eroding in a decay reminiscent of their mother.
Maybe even that would be okay, though. Because as long as they're still able to be in each other's company, to talk... However contentious it is, it's them. She hasn't lost him. And isn't that the whole point?
Not the only point, she chides herself, sighing inwardly.
Eventually, she's drawn from her reverie. Unsure how much time has past, the teenager stretches out her legs, rolling her neck, finding herself uncomfortably stiff from the time spent sat on the hard floor. ]
...I've got a few errands I should run. [ Maelle says, as if she isn't someone with the ability to create whatever she needs. She does mean it, though, because Painting is still not her first instinct in any situation. ] Is there...anything I can get you?
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Where she fills the silence, he lets it consume him. Lets the insurmountable army of his thoughts breach his focus and storm his attention, let his head throb with the intensity of hundreds of thousands of footsteps marching in militant unison. Organising them into something that makes sense, something that he can mould into a concept of an idea of a thought of a future, is beyond him, though, and so he does the same damned thing that he's been doing since he first regained consciousness: he lets them trample away at the lingering traces of life in him.
They're stubborn, though – they're so goddamned fucking stubborn, those traces of life – and so he remains present enough to receive it all, every attack his mind wants to launch at him, every sound outside, every motion Maelle makes – a stretch, a yawn, a shifting on the floor, until she starts speaking again and warlike self-flagellation retreats.]
I'm...
[Fine. Such a wholly obvious lie that Verso isn't going to speak it aloud for how it would be nothing more than a waste of breath.]
No. I don't – [want anything, he thinks, but what he says instead is:] – need anything.
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Okay. [ But Maelle hovers all the same. The compulsion is there: to offer him anything she can (besides the one forbidden thing) that might bring him even fleeting happiness. Another walk, maybe, or a doorway from his room to his hut outside the Gestral Village. ...Maybe Monoco or Esquie, who knew him better than anyone, and the latter of which was literally created to bring comfort and joy.
She holds her tongue, chewing on the inside of her bottom lip. Merde. Not for the first time, she thinks about how easily one of the others could navigate this conversation. Lune, with her pragmatism. Sciel, with her warmth. Even Gustave, who'd never met Verso...
(Maelle hasn't told her guardian the truth. Hasn't shared that with anyone. Because though she's made her peace with it, something tells her at least some of the rest of the 33s might not take it especially well, even now.) ]
Do you... [ If he's going to continue to hole up in this room, then can she maybe make it a better place for him? ] Want anything else in here? Some books, or records, or...
[ Whatever she can't buy, she can Paint. And though she's not going to stop gradually trying to draw him out from his self-imposed prison, maybe...it'd be more of an olive branch to let him keep to his space while also seeing if there might be a way to make it less of a penitentiary. ]
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